Victor Hammer created this keepsake specimen for “the Chicago people” (i.e., the Society of Typographic Arts) in 1946 as thanks to the society’s members for funding the completion and casting of his American Uncial typeface.
Victor Hammer created this keepsake specimen for “the Chicago people” (i.e., the Society of Typographic Arts) in 1946 as thanks to the society’s members for funding the completion and casting of his American Uncial typeface.
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From Ames Library Art Collection (Illinois Wesleyan University) in CARLI Digital Collections
When it comes to art I enjoy a lot of stuff going on at once. So I like this oil and wax painting.
The black-and-white figure of a woman -- meditating? in anguish? -- dominates the center of the canvas, floating in front of a layered background of colorful and stylistically varied angels. There’s a little tableaux at the right where two figures interact, one of them oblivious to the fact that she’s dripping blood or red paint. The drips stream like tears down one of the faces anchoring the artwork at the bottom, receding into the background, eyes closed -- in sleep? sorrow?
From Peoria Historical Society Image Collection (Bradley University) in CARLI Digital Collections
Just in time for Valentine’s Day!
Page 11, 1999 Spring, from Forte Literary Magazine (Illinois College) in CARLI Digital Collections
Nope, not the student artwork on the right. This week’s featured image is the creative writing piece on the left, "Art" by Julienne La Croix.
Most damage to library materials is a result of normal use and abuse including torn pages, broken spines and annotations applied by thoughtless patrons. Occasionally, however, library conservators and preservation specialists encounter surprising, amusing, or outrageous kinds of damage. Below are just a few examples of usual damages encountered recently by preservation staff at CARLI member libraries.